Neon Lit: Paul Auster's City of Glass

I cannot possibly offer enough praise for David Mazzucchelli and Paul Karasik 's adaptation of City of Glass. While some critics found it to be a dry choice of books to turn into a comics, I think the interplay between image and text only heightens the original metafictional narrative. The treatment of the first speech by the crazy antagonist, Peter Stillman - in which the word balloons trail from random objects such as a broken television and a bottle of ink - is brilliant.Neon Lit: Paul Auster's City of Glass deftly illustrates why comics is a perfect format for exploring fictions about text: the words become visible objects of the story.